{"id":33254,"date":"2015-07-13T18:56:24","date_gmt":"2015-07-13T16:56:24","guid":{"rendered":"http:\/\/www.imore.it\/rivista\/?p=33254"},"modified":"2016-12-17T12:38:04","modified_gmt":"2016-12-17T10:38:04","slug":"raffaella-curiel-una-collezione-in-stile-tudor","status":"publish","type":"post","link":"https:\/\/www.imore.it\/rivista\/raffaella-curiel-una-collezione-in-stile-tudor\/","title":{"rendered":"Raffaella Curiel: Una collezione in stile Tudor"},"content":{"rendered":"<div id=\"attachment_33261\" style=\"width: 209px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0232.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-33261\" class=\"size-medium wp-image-33261\" alt=\"R. Curiel A\/I 2015-16\" src=\"http:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0232-199x300.jpg\" width=\"199\" height=\"300\" \/><\/a><p id=\"caption-attachment-33261\" class=\"wp-caption-text\">R. Curiel A\/I 2015-16<\/p><\/div>\n<p style=\"text-align: justify;\">Mises \u00a0evocative \u00a0per <strong>Raffaella \u00a0Curiel<\/strong>, \u201cl\u2019intellettuale della moda Italiana\u201d \u00a0\u00a0che apre \u00a0l\u2019edizione di luglio di <strong>AltaRomAltamoda<\/strong> con una donna \u00a0colta e raffinata, \u00a0ancestrale e \u00a0attuale, trapassata da arte e poesia, avvolta di mistero e maest\u00e0. Sofisticate citazioni storiche fanno rivivere atmosfere favoleggianti\u00a0 tra boschi incantati\u00a0 e\u00a0 illusioni shakespeariane .<\/p>\n<p style=\"text-align: justify;\">La collezione, \u00e8 ispirata\u00a0 alla dinastia dei\u00a0 Tudors, \u00a0regnante nell\u2019epoca d\u2019oro del\u00a0 pieno rinascimento Inglese. Epoca di grande fermento culturale, epoca di\u00a0 poeti e pensatori come Spenser e Marlowe, epoca in cui dipinti, melodie, rime e sonetti furono\u00a0 fonti di malia per esteti e\u00a0 anime pure.\u00a0 Epoca della\u00a0 regina Elisabetta prima,\u00a0 virgo imperialis,\u00a0 sensibile ai dettami della moda che trasse dall\u2019arte l\u2019 ispirazione\u00a0 per orientarsi\u00a0 tra le pi\u00f9 sublimi maestrie sartoriali del tempo.<\/p>\n<p style=\"text-align: justify;\">La collezione, vuole essere un omaggio al novantesimo della \u00a0regina <strong>Elisabetta II Windsor<\/strong> \u00a0-regina della compostezza\u00a0 e dell\u2019equilibrio-. Un tripudio di sontuosi quanto mai rari tessuti, intarsi di stoffe mischiate tra loro,\u00a0 dei pi\u00f9 fini \u00a0velluti, \u00a0delle pi\u00f9 voluttuose e impalpabili sete, dei pi\u00f9 corposi damaschi e dei \u00a0pi\u00f9 elaborati ricami che, accompagnati alla maestosit\u00e0 degli accessori, creano\u00a0 mises\u00a0 che sarebbero degne di una delle regnanti pi\u00f9\u00a0 potenti del mondo, se Elisabetta II non avesse scelto per se una immagine, s\u00ec regale, ma nell\u2019insieme sobria, vicina ai gusti dei suoi sudditi. I gioielli creati da<b> <\/b><strong>Marina Corazziari<\/strong>, accompagnano perfettamente l\u2019ispirazione della collezione e sottolineano la potenza della casa regnante inglese che vanta e una delle pi\u00f9 importanti collezioni di gioielli al mondo e che costituisce il \u201cTesoro della Corona\u201d.<\/p>\n<p style=\"text-align: justify;\">Intense, profonde e corpose, le cromie prescelte, sfumature color marsala \u00a0si avvicinano al marrone , virano verso il rosso sanguigno, toccano il viola, sfociano nel bordeaux, si immergono nel blu oltremare , si\u00a0 addentrano\u00a0 nel verde sottobosco e disciolgono negli ori e nei bronzi. Silhouette dalla bellezza eloquente e sicura,\u00a0 femminile ed opulenta al contempo pacata ed elegante; dai tratti stilistici sartoriali e decisi.<\/p>\n<div id=\"attachment_33269\" style=\"width: 209px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0931.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-33269\" class=\"size-medium wp-image-33269\" alt=\"R. Curiel A\/I 2015-16R. Curiel A\/I 2015-16\" src=\"http:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0931-199x300.jpg\" width=\"199\" height=\"300\" \/><\/a><p id=\"caption-attachment-33269\" class=\"wp-caption-text\">R. Curiel A\/I 2015-16<\/p><\/div>\n<p style=\"text-align: justify;\">Tailleur in stile \u00a0anni 40\u2019 con gonne prevalentemente a god\u00e9 abbinate a giacche avvitate, sovente a redingote,<i> c<\/i>orredati in nuances \u00a0da polsini in pizzo o in \u00a0pelliccia , guanti, calze, e delicatissime quanto colorate, calzature in seta ricamata, rivisitazioni di splendide antiche pantofole con tacco a rocchetto. Completano l\u2019ensemble\u00a0 baschi di velluto in seta con ricami in oro,\u00a0 che conferiscono \u00a0un\u2019allure di\u00a0 fascinoso mistero, \u00a0ma anche meravigliose reti\u00a0 per capelli. \u00a0Splendida quella in ciniglia viola.<\/p>\n<p style=\"text-align: justify;\">Per la sera,\u00a0 abiti\u00a0 dalle piene cromie rinascimentali, corpetti sormontati da ampie gonne\u00a0 in perfetto stile\u00a0 castellano, o abiti dalle linee dritte interamente realizzati in pizzo e \u00a0impreziositi da ricchi ricami. Interessante l\u2019abito in velluto rosso scarlatto con maniche in nuances in pizzo e ampia scollatura che riporta alla mente la controversa figura di Lucrezia Borgia. \u00a0A corredo delle mises serali\u00a0 hanno sfilato\u00a0 preziosi mantelli damascati lunghi fino\u00a0 a sfiorare il pavimento.<\/p>\n<p style=\"text-align: justify;\">Elementi\u00a0 degni di nota sono poi le maniche a gigot, declinate nei vari abiti e giacche che donano maestosit\u00e0 al capo e i colli a gorg\u00e8re tripudio di regalit\u00e0.<\/p>\n<p style=\"text-align: justify;\">Completa il quadro il virginale quanto sontuoso e solenne, abito da sposa con sottogonna decorata da immagini di una battuta di caccia, \u00a0volpi, ricci e uccelli variopinti, manica a gigot e copricapo costituito da un doppio giro di cerchi concentrici posti sulla nuca, \u00a0sormontati \u00a0a mo\u2019 di corona \u00a0sul velo in tulle puntinato di bianco.<\/p>\n\r\n\t\t<style type='text\/css'>\r\n\t\t\t#gallery-1 {\r\n\t\t\t\tmargin: auto;\r\n\t\t\t}\r\n\t\t\t#gallery-1 .gallery-item {\r\n\t\t\t\tfloat: left;\r\n\t\t\t\tmargin-top: 10px;\r\n\t\t\t\ttext-align: center;\r\n\t\t\t\twidth: 33%;\r\n\t\t\t}\r\n\t\t\t#gallery-1 img {\r\n\t\t\t\tborder: 2px solid #cfcfcf;\r\n\t\t\t}\r\n\t\t\t#gallery-1 .gallery-caption {\r\n\t\t\t\tmargin-left: 0;\r\n\t\t\t}\r\n\t\t<\/style>\r\n\t\t<!-- see gallery_shortcode() in wp-includes\/media.php -->\n\t\t<div id='gallery-1' class='gallery galleryid-33254 gallery-columns-3 gallery-size-thumbnail gallery1'><script type=\"text\/javascript\">\r\n\/\/ <![CDATA[\r\n\tjQuery(document).ready(function () {\r\n\t\tjQuery(\".gallery1 a\").attr(\"rel\",\"gallery1\");\t\r\n\t\tjQuery('a[rel=\"gallery1\"]').colorbox({maxWidth:\"95%\", maxHeight:\"95%\",title: function(){ return jQuery(this).children().attr(\"alt\"); }, });\r\n\t});\r\n\/\/ ]]>\r\n<\/script>\n<dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1175.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1175-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33256\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0007.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0007-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33257\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0121.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0121-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33258\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><br style=\"clear: both\" \/><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0170.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0170-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33259\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0197.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0197-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33260\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0232.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0232-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33261\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><br style=\"clear: both\" \/><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0283.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0283-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33262\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0486.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0486-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33263\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0575.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0575-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33264\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><br style=\"clear: both\" \/><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0614.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0614-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33265\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0654.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0654-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33266\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0718.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0718-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33267\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><br style=\"clear: both\" \/><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0845.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0845-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33268\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0931.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0931-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33269\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0993.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA0993-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33270\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><br style=\"clear: both\" \/><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1085.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1085-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33271\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1123.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1123-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33272\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1153.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1153-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33273\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><br style=\"clear: both\" \/><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1193.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1193-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33275\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl><dl class=\"gallery-item\">\n<dt class=\"gallery-icon\">\r\n<a href=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1228.jpg\" title=\"R. Curiel A\/I 2015-16\" rel=\"gallery1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.imore.it\/rivista\/wp-content\/uploads\/2015\/07\/PLA1228-150x150.jpg\" width=\"150\" height=\"150\" alt=\"R. Curiel A\/I 2015-16\" \/><\/a>\r\n<\/dt><dd class=\"gallery-caption\" id=\"caption33276\"><span class=\"imagecaption\">R. Curiel A\/I 2015-16<\/span><br \/>\n<span class=\"imagedescription\">R. Curiel A\/I 2015-16<\/span><br \/>\n<\/dd><\/dl>\r\n\t\t\t<br style='clear: both' \/>\r\n\t\t<\/div>\n\n\n\n\n\t<div class=\"dkpdf-button-container\" style=\" text-align:right \">\n\n\t\t<a class=\"dkpdf-button\" href=\"\/rivista\/wp-json\/wp\/v2\/posts\/33254?pdf=33254\" target=\"_blank\"><span class=\"dkpdf-button-icon\"><i class=\"fa fa-file-pdf-o\"><\/i><\/span> PDF<\/a>\n\n\t<\/div>\n\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>Mises \u00a0evocative \u00a0per Raffaella \u00a0Curiel, \u201cl\u2019intellettuale della moda Italiana\u201d \u00a0\u00a0che apre \u00a0l\u2019edizione di luglio di AltaRomAltamoda con una donna \u00a0colta e raffinata, \u00a0ancestrale e \u00a0attuale, trapassata da arte e poesia, avvolta di mistero e maest\u00e0. Sofisticate citazioni storiche fanno rivivere atmosfere favoleggianti\u00a0 tra boschi incantati\u00a0 e\u00a0 illusioni shakespeariane . La collezione, \u00e8 ispirata\u00a0 alla dinastia&#8230;<\/p>\n","protected":false},"author":225,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[1489,7758,7308,253],"class_list":["post-33254","post","type-post","status-publish","format-standard","hentry","category-altarom","tag-altaromaltamoda","tag-elisabetta-ii-windsor","tag-marina-corazziari","tag-raffaella-curiel"],"_links":{"self":[{"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/posts\/33254"}],"collection":[{"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/users\/225"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/comments?post=33254"}],"version-history":[{"count":2,"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/posts\/33254\/revisions"}],"predecessor-version":[{"id":36651,"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/posts\/33254\/revisions\/36651"}],"wp:attachment":[{"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/media?parent=33254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/categories?post=33254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imore.it\/rivista\/wp-json\/wp\/v2\/tags?post=33254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}